Thomas Cale was born in the steel town of Johnstown Pennsylvania, also known as Flood City. The grit of coal and steel from Cale’s childhood resurfaces in his emotional works. Dark charcoal lines, smudges, revealing reworks, and paint-overs are mixed with quickly applied areas of color, dripping washes of paint, and twisted exaggerated figures. Expressive lines and brushstrokes reflect the intensity of his approach and the passion of the characters that are represented. Living and working in New York for over 20 years, Thomas continues to use human connection and empathy as the basis of his raw, neo-expressionist style. Using this energy to focus on a broader human experience, his work expresses images and ideas that seem to be created in a frantic and random way. Faces, words, and abstract shapes are scattered across the surface. Symbolizing how the brain collects information and develops feeling before opinion, Cale shares his imagery in an effort to communicate on a deeper level with his audience.
Thomas has shown locally and abroad. His work has been featured mainly on the East Coast in solo and group shows in New York, but he has also shown as far away as Suzhou, China. Cale’s studio currently exists upstate near his home in Rhinebeck, NY. The gritty urban appearance of his work is reminiscent of the steel and iron works of Johnstown Pennsylvania and Cale's love of the infrastructure, architecture, history, and the diverse people of New York City. His artwork reveals an honest perspective of modern day human struggle and perseverance.
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